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A Brief History of Figurines and Figural Groupings:

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Dresden

Franz Wittwer

Sitzendorf (more)

Unter Weiss Bach

Volkstedt

Other


Once the Chinese secret of hard paste porcelain was discovered in Saxony under the commission of Augustus the Strong, it was first used for the production of practical items such as vases and dinnerware.  Considering himself a patron of the arts, however, it was not long before Augustus began commissioning artists for the creation of porcelain sculptures, or figurines.  By far the most successful of these early artists was Johann Kändler, who produced around a thousand figures before his death in 1775.  His lifetime spanned three artistic movements-Baroque, Rococo and Neo-Classicism-and the range of his experiments in a large degree determined the future course of porcelain figurines.   

Generally the production of a porcelain figurine, or figural "grouping," consists of two steps.  The first is the molding and casting process, which results in the basic shape of the final figural piece.  The second, and perhaps most important step, involves "modeling."  In this stage of the process, smaller or more detailed items such as flowers, baskets or musical instruments, were modeled separately or by hand and attached to the larger piece with porcelain "slip" (soft porcelain mixed with water.)  It is this second stage that determines the unique character and flavor of the piece.

By far the most impressive development of the modeling process was the invention of "Dresden lace."  This was a method developed by Dresden decorators in which real lace was dipped in liquid porcelain and then applied to the figures by hand.  The result was a stunningly delicate appearance that was almost indistinguishable from soft fabric.  However, most of the results were so fragile they could be broken even by a light touch.  This makes the pieces that remain intact all the more impressive, for the care that must have gone into preserving them. 

The most famous Dresden figurines are the "crinoline groups," which portray various aspects of court life, such as dancing or playing musical instruments, and sometimes amorous scenes.  Many of these were produced under the original Dresden blue crown mark seen on the dinnerware, but several other manufactures imitating the Dresden style attained a degree of artistry that rivaled the original studios.  Some of the more famous include Alka-Kunst Alboth & Kaiser, Ernst Bohne & Sons, the Irish Dresden company, and Sitzendorf.  Several of these are represented in the Nacq Partners, Ltd. collection.



Porcelain Marks - Summary Page
Porcelain Consignment
Alexandrite Glass   
Annagrun   
Belleek    (view marks)
Blue Willow Pottery   
Bow    (view marks)
Burmese Glass   
Cameo Glass   
Capodimonte    (view marks)
Carnival Glass   
Cowan Pottery   
Delftware   
Dresden    (view marks)
Favrile Glass   
Fenton Hobnail Glass   
Frankenthal    (view marks)



Fulper Pottery   
Grueby Pottery   
Haviland    (view marks)
Hortensia Glass   
Imari   
Iridescent Glass   
Lalique   
Lenox    (view marks)
Longton Hall   
McCoy Pottery   
Meissen    (view marks)
Millefiori Glass   
Moorcroft Pottery   
Murano Glass
Muller Freres Glass


Nailsea Glass
Newcomb Pottery
Nippon    (view marks)
Noritake    (view marks)
Nymphenburg    (view marks)
Old Paris    (view marks)
Quezal Art Glass
Red Wing Pottery
Rookwood Pottery
Roseville Pottery
Royal Copenhagen    (view marks)
Royal Crown Derby    (view marks)
Royal Doulton    (view marks)
R. S. Germany    (view marks)
R. S. Prussia    (view marks)
Schumann,Carl    (view marks)
Sevres    (view marks)
Sitzendorf    (view marks)
Staffordshire    (view marks)
Von Schierholz    (view marks)
Unterweissbach    (view marks)
Teco Pottery   
Vasoline Glass   
Volkstedt    (view marks)
Waterford Crystal
Weller Pottery   
Worcester Porcelain   
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