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Once the Chinese
secret of hard paste porcelain was discovered in Saxony under the
commission of Augustus the Strong, it was first used for the production
of practical items such as vases and dinnerware. Considering himself a
patron of the arts, however, it was not long before Augustus began
commissioning artists for the creation of porcelain sculptures, or
figurines. By far the most successful of these early artists was
Johann Kändler, who produced around a thousand figures before his death
in 1775. His lifetime spanned three artistic movements-Baroque, Rococo
and Neo-Classicism-and the range of his experiments in a large degree
determined the future course of porcelain figurines.
Generally the
production of a porcelain figurine, or figural "grouping," consists of
two steps. The first is the molding and casting process, which results
in the basic shape of the final figural piece. The second, and perhaps
most important step, involves "modeling." In this stage of the
process, smaller or more detailed items such as flowers, baskets or
musical instruments, were modeled separately or by hand and attached to
the larger piece with porcelain "slip" (soft porcelain mixed with
water.) It is this second stage that determines the unique character
and flavor of the piece.
By far the most impressive development of
the modeling process was the invention of "Dresden lace." This was a
method developed by Dresden decorators in which real lace was dipped in
liquid porcelain and then applied to the figures by hand. The result
was a stunningly delicate appearance that was almost indistinguishable
from soft fabric. However, most of the results were so fragile they
could be broken even by a light touch. This makes the pieces that
remain intact all the more impressive, for the care that must have gone
into preserving them.
The most famous
Dresden figurines are the "crinoline groups," which portray various
aspects of court life, such as dancing or playing musical instruments,
and sometimes amorous scenes. Many of these were produced
under the original Dresden blue crown mark seen on the dinnerware, but
several other manufactures imitating the Dresden style attained a
degree of artistry that rivaled the original studios. Some of the more
famous include Alka-Kunst Alboth & Kaiser, Ernst Bohne & Sons, the
Irish Dresden company, and
Sitzendorf. Several of these are
represented in the Nacq Partners, Ltd. collection. |